According to Hollywood lore, the cast and crew of this film decided to play a practical joke on actress Carolyn Jones during the filming: while she was out of her bungalow, they slipped in and left one of the large seedpods made for the film on her bed. They received a more memorable response than they expected, for when Jones returned to her bungalow for a nap and found the pod she ran screaming out into the street.
And such is the power of this film. There are no major special effects, and for the most part everything looks the way it should in small town America of the 1950s. But the idea it presents and the paranoia it creates is a remarkable, tangible thing.
Loosely based on the novella by Jack Finney and directed by Don Siegel, THE INVASION OF THE BODY SNATCHERS was just a little black and white horror film--but it exploded within America's 1950s subconscious with all the force of an atomic bomb, tapping into fears of everything from Cold War-era communism to a decreasing sense of community to the notorious House Unamerican Activities Committee. And in the process it became one of the most influential horror films ever made, a motion picture that would exert a strong pull on every one from novelist Stephen King to filmmakers like Wolf Rilla.
The story has been told in no fewer than three film versions, but while the Donald Sutherland and the Meg Tilley versions are each quite fine in their own ways, the original remains the most powerful. Dr. Bennell (Kevin McCarthy) returns to the small California town of Santa Mira from a medical convention--only to discover that several members of the community have developed a strange form of hysteria: they have become convinced that certain friends and relatives are being impersonated by exact duplicates. Bennell brushes this aside as an oddity, but he soon realizes there is more to this than mere hysteria. The people of his small community are indeed being replaced by duplicates--duplicates being spawned by a strange plant-like alien lifeform.
Everything about this film is remarkably fine. The direction is first rate, the script is sharp and intriguing, and the film has a remarkable "everyday" look to it that is gradually subverted by increasing darkness and unexpected camera angles. And the cast is extremely, extremely good. Kevin McCarthy, the beautiful Dana Wynter, King Donovan, and Carolyn Jones all give truly amazing performances in the leads, and the overall ensemble is every bit their equal.
The DVD offers the choice of widescreen and standard ratio; apparently it was filmed in standard ratio but later converted to widescreen when that format became the norm. I must say that it works well in either version. The bonuses are slight, including only a brief interview with McCarthy, but it is quite interesting. And the transfer to DVD is extremely good. Even if you already a VHS version of this film, you may find it worth the cost to replace it with this DVD. Recommended.
GFT, Amazon Reviewer
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